
Aurlus Mabele, Congolese King of Soukous Music, Dies at 66
THose we’ve lost His up-tempo hits and high-wattage performances were highlighted by spectacular dance moves. He contracted the coronavirus and died in Paris. This obituary is part of a series about people who have died in the coronavirus pandemic. Read about others here.
Aurlus Mabele, the Congolese singer who was called “the king of soukous,” the energetic dance hall music that blends traditional African and Caribbean rhythms with pop and soul, died on Thursday in Paris. He was 66. His death, at a hospital, was confirmed by his daughter, the singer Liza Monet, who said her father had contracted the coronavirus. He had had a stroke a few years ago and had been in fragile health.
The coronavirus pandemic has continued to surge in France, with more than 16,000 cases and almost 700 deaths as of Monday. Mr. Mabele rose to fame across Africa in the 1970s and ’80s with his up-tempo hits and high-wattage performances highlighted by spectacular dance moves. In his early 20s he founded the musical group Les Ndimbola Lokole in Brazzaville, the capital of the Republic of Congo, gaining popularity with recordings of songs like “Waka Waka” and “Zebola.

” After moving to France in the 1980s, he helped start the band Loketo, which means “hips” in Lingala, the language spoken in parts of both the Republic of Congo and the Democratic Republic of Congo. As the group’s lead singer, Mr. Mabele worked alongside the renowned guitarist Diblo Dibala.
“The band thrived on developing and playing soukous, a modern variation of the Congolese rumba music.”
The word soukous is derived from the French word “secouer,” which means “to shake,” and as Mr. Mabele’s band Loketo gained fame, the genre took hold in dance halls around the world, including in France. Before breaking up in the 1990s, the band recorded bouncy songs like “Extra Ball,” “Douce Isabelle” and “Choc a Distance” and sold millions of albums worldwide. The group toured Africa, Europe, the Caribbean and the United States.
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